8/2/2023 0 Comments Kathy bates![]() ![]() It really seems magical, because I think the heart of acting is dress up. And over that process there was just a moment when it wasn't me in front of the mirror anymore, it was Sylvia. He said just leave it on, we're just playing, just leave it on. ![]() And I tried something on, and I'd say I don't know about this. And just looking at stuff and trying stuff on. I walked in, and there was a rack of really strange colors from the seventies, of course. ![]() And when I was able to go to New York, they said, "Oh, you're gonna have to go to New York for fittings and all that." Thank God I got to go to New York, because you go into her studio, and there's a gigantic mirror. Her whole world is the world of the film. She even works with the atmosphere actors, she'll go and tell them-if especially if it's a period piece-this is why you're wearing this, this is why you need to wear your hat this way.So the whole film is her canvas. The costume designer Ann Roth is an icon and a legend. Some of the stories that I wrote about were things that I had done when I was growing up with my parents. It really helped me establish the character of Sylvia and how close they were and the things they shared. But, for me, my preparation was just writing about my imaginary relationship with Margaret. I wrote her copious letters, and she sent me little torn-out notebook paper scrawled on with little pictures and stuff from camp and talked a lot about being involved in baking there. And, of course, her parents and the director were on board with this. I mocked up some stationery with Sylvia Simon on top and she wrote me letters from camp. Well, one of the things I did was write letters to Abby from Sylvia. ![]() I hope not, because I think it's a wonderful film. But to tell you the truth, I'll be very interested to see if people embrace the film or if they start saying our children shouldn't be watching this. I'm wondering if people still feel that this is information that shouldn't be out there. The abortion situation-although the film is not about that-people are going so far right on things. I'm really curious to see how the public responds in this particular climate of repression and banning books. And the character, she's not as fully drawn in the book as she is in the film, so when I read the script, I just loved her. And, of course, Brooks was was one of the producers. And then I had seen Edge of Seventeen, which Kelly directed, which I thought was out of this world. Well, first of all, it was the book and Judy. I think is an amazing writer, and I've gotten to know her a little bit.Ĭonsidering the book has a history of being banned, it's timely and controversial. I wish I had read it back then, because of the message that it gives to young women, young girls who are becoming women. When I was offered the film, I read the book, and it was such an incredible book. In the 70s, I was in Washington protesting the Vietnam War when the book came out. Bates recently wrapped a new iteration of the drama series Matlock, which she says is "not your grandmother's Matlock." "Spending 50 years of your life doing something you love, I'm so grateful." Bates has been doing great "kitchen work" for years, but credits Ryan Murphy for "kicking off this third act" after her Emmy-winning turn on American Horror Story. We're gathering all this stuff for the soup and putting this in the pot and that in the pot," until a character appears. To find Sylvia, Bates remembers something Jessica Tandy once told her. "I think the heart of acting is dress up.you play dress up and finally this character appears." Bates plays Sylvia, Margaret's grandmother, one of many obstacles Margaret must contend with as she faces puberty, adolescence, religion and discovering her early sexuality in the 1970s. When you're in a film adapted from a beloved young adult novel like Are You There God? It's Me, Margaret (April 28), every aspect of the movie has to be just right, so obviously directors turn to Kathy Bates. ![]()
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